One trick to ensure your colour spaces are matched - and save a bit of time - is to set this in Adobe Bridge. This can also be replaced with Coated FOGRA39 by manually selecting it if you have access to it. This which will configure based on the older Coated FOGRA27 CMYK profile, which should be sufficient. If you use CS4, select ‘Europe Prepress 2’. Selecting the ‘Europe Prepress 3’ preset in CS5 apps will pre-configure these accordingly. In the Adobe Colour Preferences ( Edit > Color Settings) in Photoshop, Illustrator and InDesign, set your RGB working colour space to Adobe RGB and the CMYK working colour space to Coated FOGRA39. The basis of these tips is that the final artwork is to be supplied in CMYK format for a conventional four-colour CMYK print process. A monitor calibrator, such as Pantone's ColorMunki or DataColor's Spyder3Elite, is a must for this. Getting printed output that matches what you see on screen is a bugbear of most graphic designers and digital artists, so here's the colour geeks at Colour Confidence's guide to producing perfect prints.īefore we begin, it almost goes without saying that a precisely calibrated? monitor is the first step towards ensuring that the images you are preparing? for print are as accurate as possible.
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